Hey everybody I need some help. I'm trying to work the center tear into a closeup routine, but I can find a logical reason to turn around. To me when I do magic I want every move to look natural and needed, and I can't find a good way to fit this move in. I'm using it for ashes on arm, and I can't find a good reason to turn around while they're burning the paper.

Maybe I'm just being paranoid, but I don't want them to suspect i'm looking at something, so any help is appreciated, and any statements confirming my paranoia are welcome too.

Get Sean Fields' X-Rated and learn his North of the Border. No need to turn around.

Brucelee

Richard Osterland has a good center tear that you don't need to turn around. A peek wallet would work. Stigmata has a way of gathering info without turning around.
Perhaps if you look at how you routine your effect, there will be a way to cover what you are doing without turning around?

The peek used in Stigmata is great, but he doesn't teach any motivation for the requirements. That sucks, but it doesn't make sense. Osterlind teaches the same peek and goes into the motivation for it. It's on the same video as his Center Tear. I used Osterlind's tear for a while, until I learned one that I like more from a friend.

Thanks for the great references, I'll look into these. Thanks!

In which DVD dose Richard Osterlind explain his fantastic "Center tear"?

If you are referring to Osterlinds famous "Perfected Center Tear" then you can find it on Mind Mysteries - Vol 1 or you can find it in his booklet Perfected Center Tear

Note - PCT booklet is out of stock at the moment but it was in stock yesterday and out of stock the day before....random.

Thanks mate. I ordered the DVD.

Great!!

If you are not comfortable with the center tear because of it's drawbacks check out this, http://www.emagicsupply.com/index.php?m ... ucts_id=23