Mentalism secrets unknown by even top pros. https://t.co/aMw7m..
Secret Passages is a new collection of mentalism ideas by Andreu and Ever Elizalde.
We have decided to compile some of the creations we have developed over the years, and release them in several volumes. You will find an amazing collection of practical concepts, ideas and essays.
Volume I contains:
The Devil’s Eye
An amazing concept to get to know any written information sealed inside an opaque envelope which can be examined and held by the participant.
The Difficult Ploy
An amazing subtlety by R. Watkins in order to give any free choice to your participants and allow them to change their minds before revealing their thoughts.
A highly innovative, original and fun approach to Max Maven’s Kurotsuke.
An experiment of extrasensory perception, in which the participants make all the choices, yet the mindreader always knows the correct ESP card below a pile of cards.
A direct and simple way to predict anything, anytime, anywhere. Minimalist and intriguing mentalism.
Psychic Vs. Psychological (Essay)
Ever explains some of the approaches to Mentalism and his views about them as well as tips and advices for your character.
Be Yourself (Essay)
Andreu explains how to be more original in any magic or mentalism performance. How to guarantee you will strike your audience with your very own unique approach.
“Secret Passages Vol. 1 is an incredible collection of amazing methods in mentalism!
I highly recommend this creation by Andreu and Ever Elizalde.”
– Uri Geller
“Andreu has come up with another p**k envelope. You will have to do some arts and crafts plus – but once made it will last and can be used over and over.He also provides various ways to get the peek. Within the book you also get a ploy to make it seem like a spectator can change their mind after you know their information, and a funny routine based on the Maven’s Kurotsuke effect.
There is a routine using marked ESP cards by Andreu and Ever’s take on Maven’s Positive/Negative idea which ends with a prediction of something the spectator said earlier in the routine. Along with the effects you get two essays on mentalism and performance from both Andreu and E.E. I think there’s enough variety in this book that there’s something for everyone.”
– Greg Arce
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