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Magic from the Overground by Paul Hallas - Book


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Paul Hallas, the best-selling author of Small But Deadly and the Mindful Mentalism series is back with his best book yet. His new book is a compilation of his favorite effects from the past 25 years. Some have appeared in print in limited edition booklets and magazines (some obscure), some are previously unpublished and others were released as marketed effects. Of those that have appeared before, some have evolved over the years and additional thoughts are included. You'll find a combination both close-up and mentalism routines, with over 50 routines in all. The close-up magic focuses primarily on cards with a few coin tricks thrown in. Includes an enlightening essay on strolling magic along with a comprehensive list of the best effects to use for strolling magic.

Pages 227 - Hardbound with Dust Jacket

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Ok, but not what I expected Report this review
Pro Privacy ON (login to see reviewer names) on April 5th, 2010
Almost every effect in this book is a card effect. Not necessarily a bad thing, but I was under the impression there'd be a little more variety in here. There are also a ton of effects in this book, and maybe this IS a bad thing. A lot of it just doesn't seem worthy of inclusion... like take-offs on known themes that don't feel like an improvement at all. For example, there's a variation of the "Phil" trick, in which he uses fruit instead of names. Maybe some will find this to be an appealing twist, but I just don't get it.

There are other applications of known principles that feel very weak... such as the application of the "switchless switch", in which the final reveal ends up being a display that's nearly identical to the one that you just showed to the spectator in the course of the introductory explanation. There are plenty of routines that use this principle that don't require you to clean up quickly before someone notices something like this.

Beginners will be frustrated because there are plenty of cases where you will be told to control a card to the top or bottom, and it is assumed you already know how to do this. In some other effects, there are references to moves or sleights that refer back to the original effect that provided the inspiration, and those aren't generally well-explained either. I'm not saying things like this NEED to be explained, but it should be clear what audience this book is intended for.

Since there are so many effects in here, the odds are that you will come up with a handful that you like. Just be prepared to cut through a lot of chaff in order to find them.
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