I have been a fan of the 100th Monkey principle for a while now. However, I confess to having been
slow to use such props as one has needed to be attuned to lighting to a degree that hasn't always
been practical for me. Well, just fiddling around with this at home, I can see this is no longer a
problem. So, if that issue has been the only thing causing you pause, add to basket! Moreover, the
effects reviewed here are FANTASTIC: easy to learn (the challenge, as Phil points out, is in
creating artful patter), and I imagine quite hard hitting. Here's my problem: how do I pick just a
couple of these to do in one gig? I mean I hate to be limited like that as these effects are
amazing. Way to go Jules and Chris!
Evolved to perfection
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